Just had an entertaining half-hour chat with Doc, which ranged from a proposal before the school senate to abolish letter grades for freshman and replace them with pass/fail grades, to alleviate stress and provide more time to participate in extracurricular activities (need I say that this is a monumentally stupid idea?) to professors publishing books to, finally, Godzilla and the inability to turn off the critical eye.
Doc spent a good fifteen minutes describing "the Gospel of Godzilla" that he taught to some of his students a few years ago. According to him, Godzilla is on one level the Japanese fear of atomic power; on another, Godzilla is this
thing beyond human understanding, to whom we are insignificant and from whom all moral stances are taken. He also talked about Godzilla being a guy in a rubber suit, and how that alienates the audience in a Brechtian way.
He brought in a buddy of his, a film studies prof at Pitt, to talk to the class, and the visiting prof spent the whole time talking about camera angles and cinematic techniques. Doc asked him afterwards "Can you just enjoy a movie anymore?" The prof said no. Doc pointed out that since
he's not a film scholar, he can go see
Jurassic Park 3 and
know that it's a terrible movie, but enjoy it nonetheless because he can close his critical eye when he watches movies.
". . . Doc," I said, "if you're watching
Godzilla 2000 and coming up with a Gospel of Godzilla, you're not watching it with your critical eye closed."
He cracked up and admitted that that was true. Clearly it's not the
same critical eye, but it's wide open and observing nonetheless. I told him that I sympathized; I can't watch
Supernatural without noting the race and gender issues. I can enjoy it, sure, but I can't turn off that analytical part. And having had a little tech training, I get to watch it with
two critical eyes open -- I'm noting lighting, sound design, camera work, at the same time.
(I still think one of the most brilliant bits of sound design I've heard is the moment in "All Hell Breaks Loose, Pt. 2" when Jake says "You should be dead," Sam looks at Dean -- the realization hits him -- and a scratchy fiddle wails on the soundtrack. GNNH. But I digress.)And then we got off on rants about whether it's better to have a dumb evil leader or a smart evil leader.
*thumbs up* Not a bad morning, even with the cold.
Oh, and! I drew something cool.
( Playing with foreshortening, perspective, and action )