adiva_calandia: (iBook)
[personal profile] adiva_calandia
So I was looking up ambrosia and nectar in Wikipedia for a tag I was writing this morning, which led me to ichor, which led me to The Dunwich Horror, which led me to the library to pick up some Lovecraft for the hell of it. Yay?

I also picked up some books for the paper I'm gonna be writing. I was originally gonna do it on pirate kangaroo courts, but I'm not sure I know where to look for resources on that, so I'm gonna go back to my original idea of exploring how thieves' cant and other slang worked as a method of separating the socially deviant underworld from the rest of society. Which sounds so much better than "I'm using this paper as an excuse to learn thieves' cant for a character I roleplay online," doesn't it?

I need to make a Milliways post about zombies later, but I have to write this paper proposal and work out first.

Man, I already miss working on MacB. *sadface* It was so nice to feel involved in theatre again.

So I have this theory about all these classic rock songs from Supernatural. The rhythm of them fundamentally implies motion; they're all in very steady 4/4, at a pace that very often equals a brisk walking pace, at least for me. I'm not sure if my legs are just exactly the right length or what, but if I listen to them while walking, I'm pretty much always stepping on the beat.

Date: 2008-04-06 08:44 pm (UTC)
From: [identity profile] kali921.livejournal.com
The, um, definition of "cock rock" on Urban Dictionary, if I'm looking at the right entry, is not really...the wider definition of the term. Start here.

Date: 2008-04-06 09:00 pm (UTC)
From: [identity profile] kali921.livejournal.com
I think it's funny that there's a demographic of people who wouldn't have been caught dead listening to any of the bands from the big hair metal scene of the eighties and nineties (Poison, Cinderella, Hanoi Rocks, et al) back in the day - people like me - suddenly softening their stances and listening to said bands now with a certain wistful nostalgia for a simpler time. In the nineties I was deep into the Wax Trax scene, New York art noise, Sonic Youth, King Missile, Laibach, Italian industrial, hardcore minimalist Detroit techno (fun fact: techno was really invented by gay black men from Detroit, NOT Kraftwerk!), serious dub, dubstep, Dutch rapcore, Treponem Pal, noisy blues, funk, hip hop, and all permutations of the darker side of drum' n bass. I used to look at the boys in Poison and Hanoi Rocks and think "God, they're pretty in a very metal way," but since the actual L.A. metal scene, if you participated in it at the time, was heavily infused with drugs, alcohol, and rampant sexist dickery on the part of some of the musicians, it just wasn't my kind of thing. It wasn't new, it wasn't doing anything that hadn't been done before, and thus is was viciously mocked, even if we secretly thought that Cinderella occasionally rocked the fuck out.

But now? I will crank that Hanoi Rocks like nobody's business.

Although, seriously, Ted Nugent and REO Speedwagon? I can't take anyone seriously who is going to argue their artistic merits without a certain sense of self-aware irony. Cock rock can be fun NOW. At the time? The people that listened to Ted Nugent and Cinderella were the ones that occasionally invaded the clubs where I hung out, started fights, were obnoxious to women, and vomited on people.

PS

Date: 2008-04-06 09:18 pm (UTC)
From: [identity profile] kali921.livejournal.com
PS - right after I typed the above comment to you, I opened up issue #19 of the new JLA book and see Kendra taking out a giant alien dinosaur with one crippling mace blow. I just, y'know, needed to share that with SOMEONE.

Also, Rikki Rockett of Poison when he was rockin' that long, long Viking blonde hair behind the drum kit? Oh, lord, did I crush on him for years and years. I still do. He's also a vegetarian and outspoken animal rights person.

Re: PS

Date: 2008-04-06 11:52 pm (UTC)
the_croupier: (Fist - Joe Lewis)
From: [personal profile] the_croupier
Actually, if you want to get insanely technical about it, it wasn't even born in Detroit, but in a teeny little community called Belleville, halfway between Detroit and Ann Arbor, which is where Juan Atkins, Kevin Saunderson and Derrick May grew up.

And if you'd ever been there? You could see why they'd be motivated to find anything, anything, to make their lives more interesting. =)

Re: PS

Date: 2008-04-06 11:54 pm (UTC)
From: [identity profile] kali921.livejournal.com
Oh, man, Rick, you rock my world so damn hard. The fact that you even know what I'm TALKING ABOUT makes me love you all the more. I was thinking of people like Jeff Mills, too!

I bet you like Green Velvet. You like Green Velvet, don't you.

Re: PS

Date: 2008-04-07 12:00 am (UTC)
the_croupier: (Fist - Joe Lewis)
From: [personal profile] the_croupier
I haven't heard a lot of GV? But 'La La Land' never stops being funny. So I've liked what I've heard!
Edited Date: 2008-04-07 12:00 am (UTC)

Re: PS

Date: 2008-04-07 02:15 am (UTC)
From: [identity profile] kali921.livejournal.com
Green Velvet's been around since the mid nineties! He's got a degree in chemical engineering from UC Berkeley, even. Everything he puts out is awesome. But also? He's a supremely excellent DJ. He puts up mixes and podcasts frequently over on his MySpace page. I'm sort of sad that he shifted all of the content from his website over to MySpace, because his website was beautifully designed. He does everything from hardcore funk techno to trance to just all out INSANITY.

I will never be able to say the phrase "is a BALLOON" again without laughing hysterically, thanks to Green Velvet.

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